{"id":82859,"date":"2024-01-26T14:04:15","date_gmt":"2024-01-26T13:04:15","guid":{"rendered":"https:\/\/www.amuz.krakow.pl\/?page_id=82859"},"modified":"2026-07-08T15:55:28","modified_gmt":"2026-07-08T13:55:28","slug":"bip","status":"publish","type":"page","link":"https:\/\/www.amuz.krakow.pl\/en\/erasmus\/short-mobility\/bip\/","title":{"rendered":"BIP (blended intensive programmes)"},"content":{"rendered":"

<\/p>\n

If you are interested in going to a chosen BIP \u2013 please contact international@amuz.krakow.pl<\/a><\/p>\n

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ITALY, Trapani, The Conservatory “A. Scontrino” of Trapani\u00a0<\/strong><\/p>\n\n\n\n
\n
\u00a0Blended Intensive Program (BIP):
\n“Wolf-Ferrari\u2019s La vita nuova: Orchestral Practice and Performance”
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom?Students in the fields of music <\/b>(especially flutists, string players, and singers<\/b>)<\/p>\n

Physical mobility: September 14th \u2013 24th, 2026<\/strong><\/p>\n

Virtual component:\u00a0September 4th \u2013 10th, 2026<\/p>\n

Application deadline: June 27th, 2026<\/p>\n

BIP La vita nuova, Wolf-Ferrari – Conservatorio di Trapani (Italy)<\/a><\/p>\n

\n

LATVIA, Riga<\/strong><\/p>\n\n\n\n
\n
\u00a0BIP
\nThe J\u0101zeps V\u012btols 7th International Choral Conducting Competition
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

For whom? young choral conductors\u00a0<\/strong><\/p>\n

Physical mobility: 23\u201327 November 2026<\/strong><\/p>\n

Application deadline:<\/p>\n

Continuing the more than one and a half centuries of choral singing and choral conducting traditions of the Baltic states, the competition provides an opportunity for young conductors to demonstrate their mastery in an international setting, working with Latvia’s finest choirs \u2013 the Latvian Radio Choir, the State Choir LATVIA, the Riga Chamber Choir AVE SOL, the Mixed Choir of the J\u0101zeps V\u012btols Latvian Academy of Music, and the Riga Cathedral Girls’ Choir TIARA.<\/p>\n

The competition will be assessed by an international jury.<\/p>\n

More information<\/a><\/p>\n

\n

BELGIUM, Royal Conservatoire Antwerp<\/strong><\/p>\n\n\n\n
\n
\u00a0BIP International Conference on Live Coding (ICLC)
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

For whom? students with a background in\u00a0Music and Sound Arts
\n<\/strong>Students in classical, jazz, contemporary music, electronic music, composition, sound design <\/strong>or music production<\/strong> who are interested in live-coded scores, improvisation, generative music, real-time audio manipulation, hybrid ensembles or experimental performance. This may include acoustic musicians, ensemble players, electronic producers, composers, improvisers, sound artists <\/strong>and students working with DAWs, synthesizers, modular systems or other digital tools.<\/strong><\/p>\n

Physical mobility: 9-13 March 2027
\n<\/strong>Virtual component: : 2 March 20:00 online meeting
\n<\/strong><\/p>\n

Application deadline: 1 October 2026<\/strong><\/p>\n

*<\/p>\n

Do I need previous live coding experience?<\/em>
\nNo. Prior live coding experience is welcome, but not required.
\nWe are looking for students who are curious, open-minded and willing to experiment across disciplines. You do not need to be an expert coder. You may come as a musician, dancer, visual artist, performer, designer, educator, programmer or hybrid maker. What matters most is your interest in collaboration, experimentation and real-time creative processes.<\/p>\n

What will you do?<\/em>
\nDuring the BIP\/the International Conference on Live Coding, students will:
\n\u2022 Observe\/take part in workshops, talks, performances and artistic exchanges;
\n\u2022 meet experienced live coders, artists, researchers and educators from an international community;
\n\u2022 explore live coding as a tool for performance, composition, improvisation, design, movement, pedagogy and collaboration;
\n\u2022 connect with students from other European institutions;
\n\u2022 reflect on how live coding can open new forms of artistic dialogue;
\n\u2022 develop ideas for future projects, collaborations or research.
\nDepending on the final programme, students may encounter examples such as live coding with musicians, jazz combos, string quartet, dancers, visual artists, lighting systems, immersive storytelling, robotics, AI, educational workshops or Algorave practices.<\/p>\n

Why join?<\/em>
\nThis BIP offers a unique opportunity to experience a cutting-edge international conference while actively engaging with artistic and technological experimentation.
\nYou will not only observe: you will be invited to participate, exchange, question and contribute. The programme is designed as a space for mutual learning between students, teachers, artists, coders and researchers.
\nBy joining, you will gain:
\n\u2022 exposure to an international community of live coding practitioners;
\n\u2022 insight into new forms of interdisciplinary artistic practice;
\n\u2022 hands-on experience with code as a performative and collaborative medium;
\n\u2022 inspiration for future artistic, educational or research projects;
\n\u2022 connections with students and professionals across Europe and beyond.<\/p>\n

\n

GERMANY, Klagenfurt, Gustav Mahler Privatuniversit\u00e4t f\u00fcr Musik<\/strong><\/p>\n\n\n\n
\n
\u00a0Erasmus+ BIP project
\n<\/strong>\u201eMusic in motion\u201c
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? students and staff<\/strong><\/p>\n

Physical mobility: 19-23 October 2026<\/strong>
\n<\/strong><\/p>\n

Application deadline: 3 August 2026<\/strong><\/p>\n

MusicinMotion<\/a><\/p>\n

The content includes prastical insights into di\ufb00erent teaching settings<\/strong> such as early childhood music education, intergenerational formats, and inclusive group work.<\/p>\n

Artistically, participants will explore voice, body, instruments, improvisaton, rhythm, dance, and interaction<\/strong>.<\/p>\n

The programme also encourages re\ufb02ecton on pedagogical approaches<\/strong> and o\ufb00ers opportunities to observe and experience children\u2019s music theatre in practice.<\/p>\n

Participants will gain practical experience in artistic and pedagogical approaches, expand their intercultural competences, and become part of an inspiring international network.<\/p>\n

\n

ITALY, Conservatorio Agostino Steffani Castelfranco Veneto (TV)<\/strong><\/p>\n\n\n\n
\n
\u00a0BIP Erasmus for Saxophone
\n“The future of tradition” TISF 2026
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? saxophone students<\/strong><\/p>\n

Physical mobility: 2-6 September 2026
\n<\/strong>Virtual component:before the end of August
\n<\/strong><\/p>\n

Application deadline: 15 July 2026<\/strong><\/p>\n

More information: TISF 2026 INFOSHEET<\/a><\/p>\n

\n

ITALY, Conservatorio Statale di Musica \u201cG. Pierluigi da Palestrina\u201d, Cagliari<\/strong><\/p>\n\n\n\n
\n
\u00a0ERASMUS+ STUDENTS\u2019 SHORT BLENDED MOBILITY
\nThe apotheosis of sound: organ and orchestra in concert
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? students (3-5 organists, 7 violins, 3 violas, 2 cellos, 1 double bass), professors (organ and piano accompaniment), admin staff in STT<\/strong><\/p>\n

Physical mobility: 3-7 May 2027<\/strong><\/p>\n

Application deadline: 15th September 2026<\/strong><\/p>\n

SPECIFIC REQUIREMENTS: youtube link to a video, 10 minutes, at the student\u2019s choice from his\/her own repertoire.
\nLINK TO APPLICATION FORM: https:\/\/forms.gle\/efL2rGWiaUToihNE7<\/a>
\nECTS to be awarded: 3<\/p>\n

More information: SBM_The apotheosis of sound_organ and orchestra<\/a><\/p>\n

\n

GERMANY, Torgau at Schloss Hartenfels<\/strong><\/p>\n\n\n\n
\n
BIP
\nWinterakademie | Winter academy 2027
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? vocal students; Teachers – especially in piano accompaniment
\n<\/strong><\/p>\n

Physical mobility: 15.02.2027 \u2013 19.02.2027
\n<\/strong>Virtual component: 01.02.2027 via zoom<\/strong> – Questions and Answers
\nCredits: 5 ECTS<\/p>\n

The Winter Academy is aimed at vocal students from international universities.<\/p>\n

The Academy’s work is based on the traditions of the town of Torgau:<\/p>\n

German song, German-language oratorio and German opera oratorio and opera singing to contemporary music.<\/p>\n

The aim of the academy is to combine intensive work on the musical interpretation of German-language works with concerts and leisure time in the charming ambience of the town of Torgau.<\/p>\n

Singing professors from the Felix Mendelssohn Bartholdy University of Music and Theatre in Leipzig, Prof. Elvira Dre\u00dfen and Kammers\u00e4nger Prof. Roland Schubert, guarantee highly qualified tuition in a creative working atmosphere in one of the most beautiful Renaissance towns in Germany.<\/p>\n

Lessons in:<\/p>\n

– German-language opera<\/p>\n

– German-language operetta<\/p>\n

– German-language oratorio<\/p>\n

– German Lied<\/p>\n

\n

AUSTRIA, Graz<\/strong><\/p>\n\n\n\n
\n
BIP
\nSummer School Musicology 2026
\nGender – Knowledge – Mobility. Digital Perspectives in Musicology
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? advanced Master’s students, doctoral candidates, early-career researchers<\/strong><\/p>\n

Physical mobility: 14 – 18 September 2026, Graz<\/strong><\/p>\n

The Summer School will be organised as Erasmus+ Blended Intensive Programme (BIP).<\/p>\n

Website Summer School Musicology 2026 – Details and Application<\/strong><\/a><\/p>\n

Requirements<\/strong><\/p>\n

Mobilities need to be financed by the partner institution, preferably through Erasmus+ short term mobility funding.<\/p>\n

Contact<\/strong><\/p>\n

summerschool@kug.ac.at<\/a><\/p>\n

\n

TURKEY, Bursa Uludag University <\/strong><\/p>\n\n\n\n
\n
STAFF WEEK<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? STAFF<\/strong>
\nPhysical mobility: October 12-15, 2026<\/strong><\/p>\n

Application deadline: June 30th, 2026<\/strong><\/p>\n

\"\"<\/a>
Programme<\/figcaption><\/figure>\n

We are honored to invite you to the Staff Week Event, which will be hosted for the third time by Bursa Uluda\u011f University at the main campus in Bursa, the capital of history and culture, from October 12-15, 2026. The University, located in Bursa, comprises 15 Faculties, 2 Vocational Schools, 15 Vocational High Schools, 1 Conservatory, 4 Institutes, 27 Application and Research Centers, and 1 Research Center.<\/p>\n

Applications for the event, which will be accepted from June 15 to August 28, 2026, will be limited to 20 participants to facilitate the sharing of experiences and ensure more effective communication with academic and administrative staff. Special attention will be given to international diversity to ensure the event is productive for all participants, and applications will be evaluated with this criterion as a priority. We aim to conduct the event with a limited number of participants from each university to promote collaboration with partner universities through the resulting diversity.<\/p>\n

The purpose of this event is to get to know you, our valuable participant universities, and colleagues closely, and to enable our university students to make more informed choices regarding their learning mobility by meeting you. In addition to presentations and fair activities, the event will include faculty and department visits, social events and\u00a0tour of the city and will conclude with training and teaching sessions.<\/p>\n

The application form is:\u00a0https:\/\/forms.gle\/R2qGTKPL2sjmfuod6<\/a><\/p>\n

We kindly ask you to share this email with colleagues who may be suitable for participating in this event. Selected participants will receive detailed program information along with their confirmations via email in early September.<\/p>\n

If you have any questions, please do not hesitate to contact us at\u00a0erasmus@uludag.edu.tr<\/a>.<\/p>\n

\n

ITALY, Teramo, Istituto Superiore di Studi Musicali e Coreutici, Conservatorio Gaetano Braga
\n<\/strong><\/p>\n\n\n\n
\n
BIP
\nSOUND HORIZONS: Film Music as a Universal Language
\nStudy and Performance of Three Film Suites by Franco Piersanti and the Requiem Marino for Violin and Orchestra
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? STUDENTS<\/strong> of: Violin, Viola, Cello, Double Bass, Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone, Tuba, Harp, Percussion
\nStudents may be accompanied by TEACHERS<\/strong> from their home institutions.<\/p>\n

Physical mobility: Teramo, 4th – 13th November 2026<\/strong> (excluding travel days)<\/p>\n

Virtual Component: September \u2013 October 2026<\/strong>; The online activities will include introductory meetings, guided preparation sessions, and coordination among participating institutions.
\n<\/strong><\/p>\n

Call for Expressions of Interest: 5th July 2026<\/strong><\/p>\n

The Conservatorio Statale di Musica “Gaetano Braga” of Teramo is pleased to announce its intention to organize an Erasmus+ Blended Intensive Programme (BIP) dedicated to the work of Maestro Franco Piersanti, one of Italy’s most distinguished contemporary composers and the author of some of the most acclaimed film scores in Italian and European cinema.<\/p>\n

The programme will focus on the study, rehearsal, and performance of:
\n\u2022 Three orchestral suites selected from Franco Piersanti’s film music repertoire;
\n\u2022 The Requiem Marino for violin and orchestra by Franco Piersanti , a powerful and moving composition dedicated to the memory of those who lost their lives at sea during migration journeys.<\/p>\n

The project will offer students from partner institutions a unique international learning experience based on orchestral practice, intercultural dialogue, artistic collaboration, and the exploration of contemporary repertoire.
\nA particularly valuable aspect of the programme will be the participation of Maestro Franco Piersanti himself, who will meet the students during the on-site mobility period in Teramo, sharing insights into his artistic journey, creative process, and experience as a composer for cinema and concert music.<\/p>\n

The on-site programme will include sectional rehearsals, full orchestra rehearsals, workshops, cultural activities and a final public concert.<\/p>\n

Academic Recognition
\nParticipants will be awarded a minimum of 3 ECTS credits upon successful completion of the programme.<\/p>\n

\n

FRANCE, Paris, P\u00f4le Sup\u00e9rieur Paris Boulogne-Billancourt<\/strong><\/p>\n\n\n\n
\n
Blended Intensive Erasmus+ Project (BIP)
\n“European Strings Encounters\/
\nRencontres \u00e0 cordes europ\u00e9ennes”
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? STRING STUDENTS<\/strong>
\nPhysical mobility: : January 4 to 9, 2027,<\/strong> in Paris and Boulogne-Billancourt, including two concerts. Arrival in Paris on January 4, 2027, departure from Paris on January 10, 2027<\/p>\n

Application deadline: June 30th, 2026
\nThe organizers expect to receive feedback on the general interest in the project before March 31st, 2026.<\/strong><\/p>\n

The idea of the project is to bring together one string quartet (vl1, vL2, vla, vlc) from each higher education institution, in France and in European partner institutions. The combined quartets will form a unique string ensemble for one week in Paris, to work together on a concert program.<\/p>\n

Artistic Director: Xavier Gagnepain<\/p>\n

Preliminary program:
\n\u2022 Anton Webern: Langsamer Satz<\/em>
\n\u2022 Ludwig van Beethoven: Quartet No. 11, Op. 95 (orchestrated by Gustav Mahler)
\n\u2022 A contemporary piece, possibly with a soloist, to be confirmed<\/p>\n

A meeting with a representative of the professional music area will be scheduled during the session, on January 7, 2027
\nOne or more online meetings (virtual module) will be organized to prepare for the in-person sessions<\/p>\n

The main language of instruction will be English. French will also be used as a second language.<\/p>\n

Number of ECTS credits awarded: 3<\/p>\n

Rencontres \u00e0 cordes sur Vimeo<\/a><\/p>\n

Website of the institution<\/a><\/p>\n

\n

ITALY, Conservatorio di Musica Alfredo Casella di L\u2019Aquila<\/a><\/strong><\/p>\n\n\n\n
\n
ERASMUS+ BIP
\nBrass Academy: Connecting East to West Europe
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? BRASS students<\/strong>
\nPhysical mobility: November 9th-15th, 2026<\/strong><\/p>\n

Application deadline: June 30th, 2026<\/strong><\/p>\n

The BIP aims to explore arrangement of brass ensemble repertoire in a combo setting as well as provide a career intensive session by leading professionals, fostering creativity, improvisation, and collaboration. Participants will develop a deeper understanding of brass ensemble playing and repertoire, enhance their performance skills and engage in intercultural musical exchange. The programme encourages students to explore new collaboration techniques, knowledge of new national repertoires for brass instruments, particularly those of the three countries involved and focus on their career goals.<\/p>\n

This intensive week-long program offers, after an initial online session, in-person sessions, bringing together students and faculty from different musical backgrounds. Through masterclasses, ensemble work, career sessions, participants will develop arrangements playing in a brass ensemble. The week culminates in a collaborative performance, showcasing innovative musical interpretations and live concert.
\nThe programme combines lectures, masterclasses, ensemble coaching, and live concerts. The online session provides foundational knowledge, while in-person activities focus on hands-on learning, collaborating and performances. Peer feedback and mentorship enhance artistic growth.<\/p>\n

Participants will gain a deeper understanding of brass ensemble repertorie ant teaching skills, improve their personal technique on solo and ensemble repertoire, set career goals, and explore innovative executive techniques. They will develop confidence in collaboration, expand their professional network, and showcase their progress in a final performance.<\/p>\n

More information: erasmus@consaq.it Roberta Lucrezi<\/p>\n

\n

SPAIN, M\u00e1laga Youth Orchestra<\/strong><\/p>\n\n\n\n
\n
ERASMUS+ Blended Mobility for TRAINEESHIPS
\nCall for Orchestral Musicians \u2013 M\u00e1laga Opera Academy
\n<\/strong><\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom? students-instrumentalists in all orchestral sections (strings, winds, brass, percussion)<\/strong>
\nPhysical mobility: 31st August 2026 – 13th September 2026
\n<\/strong>Virtual component: 15th July; 23rd September, 7 October<\/strong><\/p>\n

More information: Call for Orchestral Musicians<\/a><\/p>\n

https:\/\/malagaoperaacademy.com\/<\/a><\/p>\n

\n

 <\/p>\n

ITALY, Conservatory of Music \u201cU. Giordano\u201d in Foggia, in collaboration with Cultura e Musica G. Curci \u2013 ETS<\/strong><\/p>\n\n\n\n
\n
Erasmus+ Blended Intensive Program (BIP)
\n\u201cSonic Explorations\u201d – 3rd edition<\/h6>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For whom?<\/p>\n